Our Spring 2016 show is

Gilbert and Sullivan’s



June 19, 21, 23 and 25

The Mikado: Jon-Paul Decease
Ko-Ko: Ross Thompson
Pooh-Bah: Andrew Tees
Pish-Tush: Rob O’Quinn
Nanki-Poo: Patrick Simms
Katisha: Nina Scott-Stoddart
Yum-Yum: Maureen Batt
Pitti-Sing: Katie Cochrane
Peep Bo: Esther Ernst

Musical Director: Tara Scott
Chorus Director: Jane Kristenson

SUNDAY JUNE 19, 2:30 pm
Lillian Piercey Concert Hall in Halifax

TUESDAY JUNE 21, 7:30 pm
Osprey Arts Centre, Shelburne

THURSDAY JUNE 23, 7:30 pm
King’s Theatre, Annapolis Royal

SATURDAY JUNE 25, 7:30 pm
Central United Church, Lunenburg


Times of Trouble poster_rev2 8.5x11
Join us for the workshop premiere of a new Canadian opera based on a true Nova Scotian story: the arrival of the Sisters of Charity in Halifax and the founding of Mount St Vincent’s overlooking the Bedford Basin.

The Sisters of Charity describe a period of struggle in the late 1800s as their “time of trouble” — a struggle for power between the order and their superior, Archbishop Michael Hannan, for the right to self determination and the cause of women’s education.

Librettist Rex Deverell had been fascinated by this story for years, and decided to bring it to operatic life with composer Elizabeth Raum (Honorary Doctorate from MSVU) and the assistance of Maritime Concert Opera.

This beautifully-written, melodic, surprisingly funny, and moving story will be sung in this first concert presentation by:

Maureen Batt, soprano (Mary McGuire, later Sister Francis, Mother Francis)
Andrew Pickett, countertenor (Father, later Archbishop Hannan)
Nina Scott-Stoddart, mezzo soprano (Mother Elizabeth)
Robert O’Quinn, baritone (Archbishop Connolly)
Mary Knickle, soprano (Sister De Sales)
Eva Ernst, mezzo soprano (Sister Aloysia)

with the MCO chorus directed by Jane Kristenson
and music director Tara Scott

Maritime Concert Opera Website

FRIDAY OCTOBER 23, 7:30 pm at Central United Church, Lunenburg (TICKETS $25 from Ticket Halifax Online, also Shop on the Corner, Lunenburg, Strings ‘n’ Things, Bridgewater and Kilburn Pharmasave, Mahone Bay. Tickets also available at the door, by phone at 902-634-4280 and email at maritimeconcertopera@gmail.com.  Student tickets $15, children $10, available only at the door.

SATURDAY OCTOBER 24, 2:30 pm at Peggy Corkum Music Room, 6181 Lady Hammond Road (TICKETS $25 from Ticket Halifax Online, in person at The Coast’s offices 2309 Maynard Street, by phone at 902-422-6278 ext. 500, or at the door (seats very limited in this venue)  You can also email us at maritimeconcertopera@gmail.com and we will reserve tickets for you.

SATURDAY OCTOBER 24, 7:30 pm at Peggy Corkum Music Room (TICKETS $25 from Ticket Halifax Online, in person at The Coast’s offices 2309 Maynard Street, by phone at 902-422-6278 ext. 500, or at the door (seats very limited in this venue) You can also email us at maritimeconcertopera@gmail.com and we will reserve tickets for you. 

The first Sisters of Charity arrive in Halifax

The first Sisters of Charity arrive in Halifax


Maritime Concert Opera has commissioned a new opera but we need your help to make it happen. Time of Trouble is a new work by Elizabeth Raum and Rex Deverell that tells the story of the Halifax Sisters of Charity, the founding of Mount St Vincent and the struggle to make a place of learning available for women and girls.

ANY donation will help AND we can issue tax receipts for all donations of $10 or more! Use the donate button below to help bring this wonderful new opera to the stage this fall. Please help support new opera, support Canadian composers and support Maritime Concert Opera that brings these projects into communities into Nova Scotia!

Pagliacci 8.5x14 (2)


Lunenburg – Life and art are often intertwined, but seldom as closely as in the opera “Pagliacci” (The Clowns), which will tour SW Nova Scotia this June.

Ruggiero Leoncavallo’s opera about fatal jealousies in a traveling troupe of actors was based on a real-life story:  a case encountered by Leoncavallo’s father, who was a police magistrate in Naples. The incident — concerning a middle-aged actor who murdered his unfaithful actress wife onstage during a performance — clearly inspired Leoncavallo.

His 1892 opera — short, gritty, and boasting one of the great tenor arias of all time (“Vesti la giubba”) — is a perennial audience favourite.

A story of jealousy, betrayal and murder in a troupe of travelling performers, it is Italian verismo (realistic) opera at its most passionate. The opera’s blistering mix of seedy realism and theatrical drama has made it a key part of the Italian operatic repertory.

A troupe of travelling performers arrives in a small Italian town. The hunchback, Tonio, makes advances to his colleague Nedda: she spurns him and he vows vengeance.  Tonio manipulates Nedda’s jealous husband, Canio, into overhearing his wife’s plan to run away with her (unseen) lover. Later, during the performance in front of the villagers, the plot of the play gets a bit too close to real life. As Canio’s character demands to know the name of his wife’s lover, he stops acting: Canio sings of how he rescued Nedda as an orphan, cared for her, loved her, and now she has betrayed him. The audience applauds this brilliant “performance,” not realizing that Canio isn’t acting. Furious, he finally draws his dagger and stabs Nedda, demanding the name of her lover, and she calls on Silvio for help; when Silvio rushes in, Canio stabs him, too.  Shattered, he turns to the audience and proclaims: “La commedia è finita!” (The comedy is ended.)

MCO’s production is in concert, accompanied by Brahm Goldhamer at the piano.  The opera itself is less than 1.5 hours long, and we’ve added a selection of great Italian opera arias as an opener.  And, as always, we’ll have projected English translations so you won’t miss any of the drama.

Making his MCO debut is Halifax tenor Jason Davis in the lead role of Canio, the jealous clown driven to murder.  This has been a favourite role of big-voiced tenors since the opera was written: great interpreters include Caruso, Pavarotti and Domingo.  NB soprano Beth Hagerman returns to MCO as Canio’s wife, Nedda. Also returning are audience favourite Andrew Tees as the bitter hunchback Tonio, Haligonian Joshua Whelan as Nedda’s lover Silvio and Stephen Bell as Beppe. And it wouldn’t be an MCO show without the MCO chorus as the villagers who witness Canio’s crime.

Performances are Sunday June 21 at Th’YARC, Yarmouth at 2.30 p.m.; Tuesday, June 23 at Osprey.Arts Centre at 7.30 p.m.; Thursday, June 25 at Kings Theatre, Annapolis Royal at 7.30 p.m., and on Saturday, June 27 at Central United Church, Lunenburg at 7.30 p.m.

Tickets for the Lunenburg performance are $25 ($10 for youth 16 and under at the door only) and are available from Shop on the Corner, Lunenburg, Kinburn Pharmasave, Mahone Bay and Strings’n’Things, Bridgewater or call 902-634-4280 to reserve.  For tickets for the other performances please contact the theatres.

About Maritime Concert Opera 

Maritime Concert Opera is a semi-professional regional opera company based in Lunenburg, Nova Scotia, Canada which brings in-concert performances of great operas to many communities in Nova Scotia. Founded in 2003, MCO has produced 18 full length operas and more than 34 concerts. While we use professional soloists, our chorus and ethos are rooted firmly in our communities. For more information on MCO, visit its website at maritimeconcertopera.com